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I may decide to use a very slight compression on the low-band as well, and you could adjust that to taste. Then I would leave the low-frequency threshold at maximum and lower the threshold on the higher band until I achieve about 2 dB of compression. First, I would set both compressors to the same ratio (around 1.3:1), attack (70 – 100 ms), and release (100ms). One compressor to control the low frequencies, probably under 150Hz, and one compressor for the rest of the track. Multiband compressors often allow you to turn off or delete unused bands and I would use a plugin like Izotope’s Ozone 9 Dynamics and set it for two bands of compression. Instead of a sidechain filter, we could approach this problem with a 2-band compressor. Then we can get a smoother compression effect. The high-pass sidechain filter removes the low-end from the signal that the compressor’s analyzer, or brain, so that the compressor reacts more to the mid- and high-frequency content instead of the bass. As mentioned in part I of this article, a common method to deal with this is to use a high-pass filter in the sidechain, or detector circuit of the compressor. Often in dance or club genres, we want to slightly compress the song, but the pounding low-end drives the compressor over the threshold, causing the whole mix to dip in level with every kick drum hit.
![multiband compressor rap vocals fabfilter mb multiband compressor rap vocals fabfilter mb](https://i.ytimg.com/vi/LNkaGACWuhs/maxresdefault.jpg)
The Kick or Low-End is Driving the Compressor
![multiband compressor rap vocals fabfilter mb multiband compressor rap vocals fabfilter mb](https://claudiomeloni.it/wp-content/uploads/2017/02/I-Migliori-Plugins-Waves-Audio-per-il-Mastering-wave-linear-phase-multiband-compressor.jpg)
An excellent mix where the bass is too loud.
![multiband compressor rap vocals fabfilter mb multiband compressor rap vocals fabfilter mb](https://img.audiofanzine.com/images/u/product/normal/lindell-audio-354e-261617.jpg)
#Multiband compressor rap vocals fabfilter mb free
In this article, we will cover the typical uses of these processors as they are used for mastering, not production, but feel free to extend the applications discussed here to your productions and mixes. Multiband compressors can help with problems that happen only occasionally during a song, like certain bass notes that poke out, or extreme problems that occur in a very specific frequency range like harsh high-frequencies.Īdditionally, some genres, like EDM, attain part of their overall sound from extreme processing that is only possible from these multiband processors. So, knowing that there is danger in using this type of advanced signal processing for mastering, why would we use it at all? We can sometimes enhance a mix with these processors in a way that outweighs the distortions that are caused. Solve problems, don’t create new ones! Reasons for Using Multiband Dynamics As always, the Peter Parker (Spider-Man) principle applies: “With great power comes great responsibility.” I know more than one mastering engineer who shies away from multiband processors because their clients have rejected masters that were too different from their original mix. Listen specifically for these changes and audition more than one brand and model of multiband processor to find one or more that suit your particular taste and needs.Īnother, perhaps more important danger to consider is that multiband processing is capable of producing extreme changes to a mix. This process is never completely transparent and may add distortion and other artifacts that change the sound or feel of a mix, even with no compression or adjustments applied.
![multiband compressor rap vocals fabfilter mb multiband compressor rap vocals fabfilter mb](https://www.thomann.de/thumb/opengraph/pics/prod/387263.jpg)
Multiband processors, by definition, must separate a mix into more than one frequency band, process the audio, and then reassemble the individual bands back into one signal. Inherent Dangerīefore getting into using these processors, let’s discuss the dangers of multiband devices. While I don’t consider multiband and mid-side processors to be my main mastering tools, I do use them frequently to solve problems during mastering. Mid-side compressors deserve their own article, so that will be covered in part III. This article will present multiband compression techniques, which can range from transparent to extremely aggressive. That type of compression produces the “glue” effect that makes music feel a bit more cohesive, dense, and more detailed.
#Multiband compressor rap vocals fabfilter mb series
Part 1 of this series on mastering compression covered the traditional application of transparent compression.